|Sashiko bowl cover for my friend Michi - it's about 25cm across and took me 2 weeks to make.|
To efficiently work the tiny stitches sashiko requires, you load many stitches onto the needle before pushing it through the fabric. I was finding my fingers were getting mashed from the force that requires. I considered buying a special sashiko thimble to help with this, but that would have involved ordering online and paying a lot for postage.
|A sashiko thimble is a leather sheath typically worn at the base of the middle finger and is used to push the butt of the needle through the fabric. (image source)|
Instead, I made my own - or, rather, two of my own: a shorter one to put on the finger that goes under the fabric (that was getting a lot of nicks out of it, too!);
and a longer one to put on my middle finger to push the needle through. I've found it more comfortable to wear higher up the finger than is traditional.
Each thimble is a piece of suede leather shaped a bit like a long 'u' with a tab sticking out each side at the top. I bored a hole through each of the tabs with a darning needle and threaded shirring elastic though the holes to hold leather in place.
I'm really pleased with them. They protect my fingers well; they're flexible enough to be easy to work with; and they're tough enough that I never sew through them by mistake (an annoying thing that happens all too often with my bicycle-inner-tube thimble).
I have a big bag of suede scraps and would be happy to post some to anyone I know who's reading this :-)
Pilot 'frixion' pen
Sashiko embroidery starts with drawing a grid onto the fabric over which a repeating geometric pattern is worked. Usually, I mark up fabric with either chalk or a washable fabric pen. However, for sashiko, I was finding the chalk lines weren't fine enough and the washable fabric pen lines kept disappearing before I was finished :-(
Then Martin's aunty introduced me to the 'frixion' pen, an erasable pen made by Pilot which is widely available at stationery stores.
It's intended to be used as a regular pen, i.e. for writing on paper. However, it works fine on fabric, too, giving sharp, clear lines that don't fade. When you want to remove them, either pop the fabric in the wash (the agitation will remove the lines) or iron it (the heat gets ride of them, too).
Initially I used a blue pen, but have since moved to a black one - it shows up much more clearly on the blue fabric typically used for sashiko.
|Blue lines on blue fabric - legible but not ideal|
|Black lines marking up blue fabric - although not for sashiko this time!|
I'm currently embroidering a set of fairly loose-weave tea towels for a friend's wedding. Initially, both as I was drawing my guidelines and again as I was actually sewing, the fabric flexed all over the place. It was impossible to make a genuinely geometric design in those conditions.
|A disappointingly messy sashiko design - I'll be redoing this when I have time :-(|
After some internet searching, I decided to starch the fabric before marking and sewing it. It's made a world of difference! The fabric no longer pulled away when I tried to draw lines on it and the grid remained square the whole time I was sewing :-)
|Admittedly a simpler pattern, but still strikingly more regular!|
I made liquid starch from ordinary cornflour, following this recipe.
- Stir 1 1/2 tablespoons cornflour into 2 1/2 cups cold water.
- Bring to the boil with occasional stirring and boil one minute - it will become clear.
- Allow to cool then strain through a sieve into a container.
Once the fabric is wetted with the starch simply iron it, taking care that you keep the weave sitting 'square' until you've ironed it fairly dry. Discard any remaining starch or store it in the fridge for up to a few weeks - it's full of good food for bugs so goes mouldy quickly!